Dating back to antiquity, theories which want us living in a hologram, apart from science fiction can also be endorsed by scientific data. Those who believe in the holographic theory of the universe, support that everything we know in our world are three dimensional depictions of data, stored in a two dimensional form somewhere at the edge of our universe. This automatically means that we are all closely bonded with everything around us, as part of one large unity where the present, past, and future coexist simultaneously.
Within the neurons of cosmic memory time does not exist, only ideas…
This kind of theories about the world can be traced back to antiquity. In Plato for example, and his “theory of forms” he tried to institute that ideas and forms exist somewhere independently out of the visible world, and we are only able to know and perceive their reflections. Additionally, Socrates speaks of the “allegory of the cave”, describes the reality we understand, as the shadows of the real things, which are projected in front of us like a movie because of a fire that burns between them and us. Chained in the cave, and being able only to look in front of us, we have no perception of what takes places behind us, thinking that the whole world is only what we can understand with our senses. Hence is up to this one person who is letting himself free from the chains, the philosopher by Socrates, or in our case the artistic work to awake the rest of the world and lead them out of the cave, in the light and real knowledge.
Using this stimulus, the International Festival of Digital Arts in Greece, Athens Digital Arts Festival is addressing an open call for its 15th and anniversary edition towards all artistic and scientific community. Artworks from the past, present, and future coming from the worlds of art science and technology are asked to co-exist in a festivity of digital culture, showing how everything is connected to each other like pieces of one undivided whole, while anything we perceive through our senses is nothing more than depictions of our ideas.